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	Comments on: Quality Singing	</title>
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		<title>
		By: Beth Thompson		</title>
		<link>https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-81102</link>

		<dc:creator><![CDATA[Beth Thompson]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 18:46:16 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-81101&quot;&gt;Anne&lt;/a&gt;.

Great to hear from you! Thanks for sharing! :)]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-81101">Anne</a>.</p>
<p>Great to hear from you! Thanks for sharing! 🙂</p>
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		<title>
		By: Anne		</title>
		<link>https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-81101</link>

		<dc:creator><![CDATA[Anne]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 18:23:20 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-26850&quot;&gt;Elle&lt;/a&gt;.

As a voice teacher of 30 years, with a masters degree from Carnegie Mellon, you are totally correct. Kids love their chest voice basically because it is stronger at a young age. And now we have so many composers writing shows for that voice! Ugh. (Ex Annie!) The breathiness of their head voice at age 10 can be a deterrent to them. If anything, they first need to sing from the correct place and BREATHE correctly. If they do belt using proper support (not in their throat) it helps a little. But I agree with you wholeheartedly.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-26850">Elle</a>.</p>
<p>As a voice teacher of 30 years, with a masters degree from Carnegie Mellon, you are totally correct. Kids love their chest voice basically because it is stronger at a young age. And now we have so many composers writing shows for that voice! Ugh. (Ex Annie!) The breathiness of their head voice at age 10 can be a deterrent to them. If anything, they first need to sing from the correct place and BREATHE correctly. If they do belt using proper support (not in their throat) it helps a little. But I agree with you wholeheartedly.</p>
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		<title>
		By: Elle		</title>
		<link>https://www.bethsnotesplus.com/2015/04/quality-singing.html#comment-26850</link>

		<dc:creator><![CDATA[Elle]]></dc:creator>
		<pubDate>Fri, 21 Dec 2018 02:10:43 +0000</pubDate>
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					<description><![CDATA[I find it curious that you list the chest voice as being breathy. I find that my students often favour their chest voice because it&#039;s stronger and produces a clearer (albeit often harsher) tone.  It&#039;s the head voice in young ones that comes out breathy and this is why they shy away from using it.  This was also my experience as a child and it was such a relief to reach adulthood and complete my voice degree when my head voice grew stronger and more resonant.  My breathy head voice was so weak that I constantly pushed my chest voice up as high as I could manage. (not that this was healthy...)]]></description>
			<content:encoded><![CDATA[<p>I find it curious that you list the chest voice as being breathy. I find that my students often favour their chest voice because it&#8217;s stronger and produces a clearer (albeit often harsher) tone.  It&#8217;s the head voice in young ones that comes out breathy and this is why they shy away from using it.  This was also my experience as a child and it was such a relief to reach adulthood and complete my voice degree when my head voice grew stronger and more resonant.  My breathy head voice was so weak that I constantly pushed my chest voice up as high as I could manage. (not that this was healthy&#8230;)</p>
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